Alexander Mazy lives and works in St. Petersburg. He began his artistic journey with graffiti and airbrushing before expanding to painting, digital illustration, and 3D modeling. His education in computer graphics formed the basis for establishing a successful web studio that has received international design awards.
In 2024, Alexander began focusing on contemporary art, rethinking and integrating his accumulated experience into his artistic practice. By 2025, he had presented his first series of works at the Art Russia fair, attracting the attention of institutions, collectors, and private individuals.
In my work, I explore the relationship between intense mental states and the serene observer—two aspects of the human experience that are seldom considered interconnected. Through integral philosophy and spiritual practices, I have analyzed my own anxieties and transformed deep states into complex, abstract images.
The foundation of my artistic language lies in three-dimensional geometric constructions — symbols of thoughts, contradictions, and interpretations, suspended in the material and spatial nature of the medium. To achieve ultimate precision of form and emphasize the materiality of the objects, I incorporate 3D modeling into the sketching process.
I work with painting and sculpture, confronting contrasting materials. On canvas, this takes the form of layered painting, deep black pours, and soft airbrush gradients. In sculpture — smooth plastic, metal, matte textures, and glossy automotive enamels. These choices express not only the tension between void and form, but also merge them into a unified perceptual experience. I carefully apply the principle of repetitiveness, creating a minimalist and hypnotic structure.
I began with graffiti — an art form that breaks boundaries. Today, I dismantle the boundaries of consciousness, the lines between self and spirit. My art is a practice of attention — a way to capture the present in its unconditional beauty. My objects reflect not only inner, individual experience but also the collective, cultural layer of contemporary life.
In an era of information overload, fragmented thinking, and heightened anxiety, my work offers an experience of pure contemplation. It reminds us: everything that happens — love, joy, nuclear war or broken dreams — is merely a construction of the ego. And this realization is not an escape from life, but a return to it — with total presence and freedom.
The central figure in this series is a volumetric geometric object — a condensed form of mental tension. Opposed to it stands the human figure — consciousness, spirit, the witness to all that is perceived.
These works speak to the instability in which fears, insights, and inner states continuously shift their form. At times they freeze into tangled geometries; at others, they swell, threatening to burst under the pressure of anxiety. The constructions tremble, teeter, collapse — yet within this fragile balance lies their unconditional beauty.
Crimson and green madness
2024
Canvas, acrylic
80 x 60 cm
The dizziness of a lilac dawn
2024
Canvas, acrylic
150 x 120 cm
A prickly intersection
2024
Canvas, acrylic
120 x 90 cm
A shard of desire
2025
Canvas, acrylic
120 x 90 cm
Blade of crystal balance
2025
Canvas, acrylic
50 x 40 cm
Crossroads of absurd emotions
2025
Canvas, acrylic
50 x 40 cm
Geometry of lost meanings
2025
Canvas, acrylic
50 x 40 cm
The shell of ripe insight
2025
Canvas, acrylic
50 x 40 cm
Defensive fantasising
2025
3D printed plastic, enamel paint
38 x 32 x 30 cm
Sweet oblivion
2025
3D printed plastic, enamel paint
40 x 32 x 24 cm
A passing fancy
2025
3D printed plastic, enamel paint
25 x 20 x 16 cm